Trisha Kim

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<channel>
	<title>Trisha Kim</title>
	<link>https://trishakim.com</link>
	<description>Trisha Kim</description>
	<pubDate>Thu, 04 Jan 2024 15:39:04 +0000</pubDate>
	<generator>https://trishakim.com</generator>
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		<title>Home Image Scroll</title>
				
		<link>https://trishakim.com/Home-Image-Scroll</link>

		<pubDate>Wed, 20 May 2020 10:52:37 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

		<guid isPermaLink="true">https://trishakim.com/Home-Image-Scroll</guid>

		<description> 
	
Trisha Kim ︎&#38;gt;︎/Graphic Design, Art DirectionAbout 
Art Direction/Graphic DesignBeauty Papers 12
Beauty Papers 11
Dua Lipa Zine

 Code Red
Myah Hasbany
Branding
Humanity at WorkOverCurrent
Commonz Field
Safe Raise
Second ModelArtistic Practice


Picking The Clouds

The Explosive Co-existance
Poster Archive ︎

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	<item>
		<title>About</title>
				
		<link>https://trishakim.com/About</link>

		<pubDate>Wed, 20 May 2020 11:24:52 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

		<guid isPermaLink="true">https://trishakim.com/About</guid>

		<description>About

Education

MA Art Direction, London College of Communication UAL, London&#38;nbsp; 2022
BFA Visual Communication Design, KyungHee University, Seoul 2017

Awards/Press

100 Films 100 Posters, Jeonju Film Festival&#38;nbsp;2023
TDC Tokyo Book Design Prize Nominee 2022
Red Dot Branding Design Award 2021INONICA magazine 002&#38;nbsp;2021
Manual Mode exhibition by Heavy Magazine 2021
Open Recent Graphic Design (ORGD) TQTC Online Exhibition 2020Poster ‘Grid’ in Liège, Brussels 2019Interview with Blank Poster Book 1 2019


Contact
trishakim511@gmail.com
@trishammmk
More of her portfolio can be shown upon request
︎︎︎Home


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		<title>Posters</title>
				
		<link>https://trishakim.com/Posters</link>

		<pubDate>Wed, 20 May 2020 10:52:39 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

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		<description>Posters
︎︎︎ Poster for The...Saver Exhibition (Seoul)

&#38;nbsp;&#60;img width="1500" height="2124" width_o="1500" height_o="2124" data-src="https://freight.cargo.site/t/original/i/5b9a2ca629db47120e3fef6f517a2d7d149ec35e4796e00e2b5b4576f785ee6b/SAVER-2.jpg" data-mid="206270752" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/5b9a2ca629db47120e3fef6f517a2d7d149ec35e4796e00e2b5b4576f785ee6b/SAVER-2.jpg" /&#62;

︎︎︎ Poster for ‘Unsited’ by Seoyoung Kwak for Jeonju International Film Festival
&#60;img width="2000" height="2990" width_o="2000" height_o="2990" data-src="https://freight.cargo.site/t/original/i/07898b635aaa8dd6df5b5c54621c2b8949ad6024ddd526812c1dd744972a3008/___f.jpg" data-mid="200945099" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/07898b635aaa8dd6df5b5c54621c2b8949ad6024ddd526812c1dd744972a3008/___f.jpg" /&#62;

︎︎︎ Poster for ‘Around Rocha’s Table’ by Paolo Rocha for Jeonju International Film Festival
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/b934030b21b82f6f3edc0593add6934f59c9b055747565db04d1aab6cfddbcde/2022-16.jpeg" data-mid="174135718" border="0" data-scale="53" src="https://freight.cargo.site/w/1000/i/b934030b21b82f6f3edc0593add6934f59c9b055747565db04d1aab6cfddbcde/2022-16.jpeg" /&#62;

︎︎︎ Artwork for an exhibition Manual Mode by Heavy Magazine
9 artists were invited to make ‘layers’ and audiences can collect each layer to make their own posters.&#38;nbsp;
&#60;img width="800" height="1133" width_o="800" height_o="1133" data-src="https://freight.cargo.site/t/original/i/251e7e6e218f385334aef5104be140c51e07d8bfae7bf698f5a624193507ae22/Light-Journey-01_web.jpg" data-mid="120705984" border="0" data-scale="40" src="https://freight.cargo.site/w/800/i/251e7e6e218f385334aef5104be140c51e07d8bfae7bf698f5a624193507ae22/Light-Journey-01_web.jpg" /&#62;&#38;nbsp;&#38;nbsp;&#60;img width="800" height="1133" width_o="800" height_o="1133" data-src="https://freight.cargo.site/t/original/i/35619e7f71f209482deedfe65ddefa64da1dd5b7a68fa201f1f9455ac6f2823f/Light-Journey-02_web.jpg" data-mid="120705985" border="0" data-scale="40" src="https://freight.cargo.site/w/800/i/35619e7f71f209482deedfe65ddefa64da1dd5b7a68fa201f1f9455ac6f2823f/Light-Journey-02_web.jpg" /&#62;
︎︎︎ Artwork for ESC 002 by INONICA MAGAZINEVisual interpretation of Kidofmay’s track ‘Main Theme’. 12 artists and 12 musicians were invited as a pair to visualise a track into a graphic work.&#38;nbsp;

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︎︎︎ Mask (Defining Today from OverCurrent)Things about masks, and the textile of the suffocation
&#60;img width="1500" height="2113" width_o="1500" height_o="2113" data-src="https://freight.cargo.site/t/original/i/79869d6e9e74e21082ccbd83cdbc2680443b6590578c06a74b61c0ba66481c1c/00Artboard-1-website.jpg" data-mid="90925840" border="0" data-scale="52" src="https://freight.cargo.site/w/1000/i/79869d6e9e74e21082ccbd83cdbc2680443b6590578c06a74b61c0ba66481c1c/00Artboard-1-website.jpg" /&#62;

︎︎︎ Future (Defining Today from OverCurrent)Among 40 answers about the future during the pandemic, I wonder if there is even the better future, and if I can dare to look at it. 

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︎︎︎ CORONA&#38;nbsp;A poster for visual project ‘defining today’ from OverCurrent.
&#60;img width="2403" height="3401" width_o="2403" height_o="3401" data-src="https://freight.cargo.site/t/original/i/3bbc03d7febfb7a70ca375c67abf14034fae04aeff6dc67eba64a29adee82d16/corona.jpg" data-mid="80171343" border="0" data-scale="61" src="https://freight.cargo.site/w/1000/i/3bbc03d7febfb7a70ca375c67abf14034fae04aeff6dc67eba64a29adee82d16/corona.jpg" /&#62;


︎︎︎ MISCHIEVOUS FIRE SPIRITS&#38;nbsp;A collage of fire extinguisher taken in Tokyo juxtaposed with a blue oval which represents water as a shield against the fire spirit.&#38;nbsp;

	&#60;img width="1500" height="2143" width_o="1500" height_o="2143" data-src="https://freight.cargo.site/t/original/i/59cd59d7b0590865e6c2c065d2c097e08f88ec82bf3273186ce78b5e2d3c14e5/trishakim01.jpg" data-mid="71738224" border="0"  src="https://freight.cargo.site/w/1000/i/59cd59d7b0590865e6c2c065d2c097e08f88ec82bf3273186ce78b5e2d3c14e5/trishakim01.jpg" /&#62;
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︎︎︎ FACT, IMAGE, MEMORYA poster inspired by the baking process and the impressions of a person.
&#60;img width="1545" height="2234" width_o="1545" height_o="2234" data-src="https://freight.cargo.site/t/original/i/dfd6ffcb3bda61ca855b7b005e0c497451340b6a17d367172c21b0626b446036/fact-image-memory-15-5.jpg" data-mid="72448077" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/dfd6ffcb3bda61ca855b7b005e0c497451340b6a17d367172c21b0626b446036/fact-image-memory-15-5.jpg" /&#62;

︎︎︎ 2019 New Year Poster
2019 was the year of Gold Pig in Asia (己亥)

&#60;img width="1200" height="1800" width_o="1200" height_o="1800" data-src="https://freight.cargo.site/t/original/i/2d0de51584ab6e534939998b915ddbd37e8184a6f012e847fe27cc7f796af2f8/7-1.jpg" data-mid="72448818" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/2d0de51584ab6e534939998b915ddbd37e8184a6f012e847fe27cc7f796af2f8/7-1.jpg" /&#62;&#38;nbsp;

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		<title>The Explosive Co-existance</title>
				
		<link>https://trishakim.com/The-Explosive-Co-existance</link>

		<pubDate>Wed, 20 May 2020 10:52:39 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

		<guid isPermaLink="true">https://trishakim.com/The-Explosive-Co-existance</guid>

		<description>The Explosive Co-existance

A zine series about pests insects that compete for the same habitat as humans. The misspelling of existance is used on purpose to imply that we don't acknowledge them, nor are we even interested in them. The series evokes the question of whether humans and these insects can co-exist in the modern age.


The zine shares these three chapters. Life (the features and characteristic of the creature), War (how humans and creatures fight to dominate its habitat) and death (how it got affected by humans).


To emphasize the features of each insect, the master page will be varied in each edition. But to have consistency overall, the format for the cover and the chapters stay the same.

 
[2nd Edition: Honeybee] 

190*280mm/24pages
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/804ef3054747c5c8b9e4779ffac041ec350fbb6eb56edaf3422de00a4cf16694/b-cover.jpg" data-mid="76401849" border="0"  src="https://freight.cargo.site/w/1000/i/804ef3054747c5c8b9e4779ffac041ec350fbb6eb56edaf3422de00a4cf16694/b-cover.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/944b85116f91c01dc9ad5940da007bc1bc05a04d927d1a5d869661723cd9b280/b-6.jpg" data-mid="76401050" border="0"  src="https://freight.cargo.site/w/1000/i/944b85116f91c01dc9ad5940da007bc1bc05a04d927d1a5d869661723cd9b280/b-6.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/8e4705fd8e51a8d114f764d35eaf75796bdba7fe7e243aae25f6ef8362e8ce3e/b-89.jpg" data-mid="76401058" border="0"  src="https://freight.cargo.site/w/1000/i/8e4705fd8e51a8d114f764d35eaf75796bdba7fe7e243aae25f6ef8362e8ce3e/b-89.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/29da456ab932ebecf2a0037a48a1df046ccd7efeed38746a7e7811e48b57ecf6/b-12.jpg" data-mid="76401055" border="0"  src="https://freight.cargo.site/w/1000/i/29da456ab932ebecf2a0037a48a1df046ccd7efeed38746a7e7811e48b57ecf6/b-12.jpg" /&#62;

︎︎︎

[1st Edition: Cockroach] 
125*175mm/20pages/White,Orange
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3b001dd2b2caf29566a393d86c9d90c07068feb0107d6377240679d9c50901a3/cover.jpg" data-mid="76399165" border="0"  src="https://freight.cargo.site/w/1000/i/3b001dd2b2caf29566a393d86c9d90c07068feb0107d6377240679d9c50901a3/cover.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/451f697df76e8613ed06cbf83811a16a247af42eb3d134bc80105f8998d4f643/67.jpg" data-mid="76399163" border="0"  src="https://freight.cargo.site/w/1000/i/451f697df76e8613ed06cbf83811a16a247af42eb3d134bc80105f8998d4f643/67.jpg" /&#62;
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Research, curation, art direction, design, print 2020</description>
		
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		<title>Second Model</title>
				
		<link>https://trishakim.com/Second-Model</link>

		<pubDate>Wed, 20 May 2020 10:52:40 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

		<guid isPermaLink="true">https://trishakim.com/Second-Model</guid>

		<description>Second Model_Branding

Second Model is a Lille-based house music label. Its name originates from the founders' hands-on experience building the label-specifically, the moment they created their second collaborative track using a Model:Samples machine. The visual identity is shaped by two core elements: the duo’s optimistic, experimental approach and the distinctive look of the Second:Sample hardware. 


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		<title>OverCurrent</title>
				
		<link>https://trishakim.com/OverCurrent</link>

		<pubDate>Wed, 20 May 2020 11:07:44 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

		<guid isPermaLink="true">https://trishakim.com/OverCurrent</guid>

		<description>OverCurrent_ Branding


OverCurrent is an underground music label and a podcast introducing talented local music DJs and producers from all over the world, outside of the mainstream. Starting from Korea, we were frustrated that a lot of Asian fans tend to attend European DJs more than their locals. So far OC has successfully shared more than 60 mix sets from 20 different countries, as well as hosting gigs in Seoul.


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	&#60;img width="800" height="1061" width_o="800" height_o="1061" data-src="https://freight.cargo.site/t/original/i/57805a31b295f164b18e8caa776dff6f5196bbd56bd72b60fba5bedb592616f4/z-100.jpg" data-mid="226197165" border="0"  src="https://freight.cargo.site/w/800/i/57805a31b295f164b18e8caa776dff6f5196bbd56bd72b60fba5bedb592616f4/z-100.jpg" /&#62;
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	&#60;img width="800" height="1061" width_o="800" height_o="1061" data-src="https://freight.cargo.site/t/original/i/96258ec6d79b5c8a1b8b56ee6c5dc6efd0b62474df0136b80f703ed1cec77942/Artboard-1-100.jpg" data-mid="226197168" border="0"  src="https://freight.cargo.site/w/800/i/96258ec6d79b5c8a1b8b56ee6c5dc6efd0b62474df0136b80f703ed1cec77942/Artboard-1-100.jpg" /&#62;


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&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/084d6b736d77a9575dad74c8ad1024edab6978b13787522ef30653da6a3526df/Untitled-3.jpg" data-mid="73228354" border="0"  src="https://freight.cargo.site/w/1000/i/084d6b736d77a9575dad74c8ad1024edab6978b13787522ef30653da6a3526df/Untitled-3.jpg" /&#62;
&#60;img width="1946" height="985" width_o="1946" height_o="985" data-src="https://freight.cargo.site/t/original/i/0744e4a1d668fd96aea9011fea898d66a236c2b69b9ffe4b50807053b1dd01e2/danceArtboard-1.png" data-mid="73228542" border="0"  src="https://freight.cargo.site/w/1000/i/0744e4a1d668fd96aea9011fea898d66a236c2b69b9ffe4b50807053b1dd01e2/danceArtboard-1.png" /&#62;
&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/3fa1ef840fff11835d29aaa3089a18d222d7e0b76849907caf479251e7d7a237/poster---gif.gif" data-mid="120847468" border="0"  src="https://freight.cargo.site/w/600/i/3fa1ef840fff11835d29aaa3089a18d222d7e0b76849907caf479251e7d7a237/poster---gif.gif" /&#62;
&#60;img width="600" height="600" width_o="600" height_o="600" data-src="https://freight.cargo.site/t/original/i/99006f6f2cd558f9b3067a2ac50bd8880e077737fc189c0ea29db72ebfd7c64b/after.gif" data-mid="120847614" border="0"  src="https://freight.cargo.site/w/600/i/99006f6f2cd558f9b3067a2ac50bd8880e077737fc189c0ea29db72ebfd7c64b/after.gif" /&#62;


︎ www.soundcloud.com/overcurrent︎ www.instagram.com/overcurrent.official
Research, conceptualise, design, print, merchandise _ 2019
</description>
		
	</item>
		
		
	<item>
		<title>Commonz Field</title>
				
		<link>https://trishakim.com/Commonz-Field</link>

		<pubDate>Thu, 08 Oct 2020 15:55:20 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

		<guid isPermaLink="true">https://trishakim.com/Commonz-Field</guid>

		<description>Commonz Field _ Branding
Commonz Field is a social innovation park in Korea by The Ministry of Public Administration of Korea. It pursues to acknowledge the society problems. Any citizen who has an idea for better society or community, they can come and make anything happen in Commonz Field.&#38;nbsp;

Brand Design&#38;nbsp;Award from Red Dot (2021.11)


&#60;img width="2000" height="323" width_o="2000" height_o="323" data-src="https://freight.cargo.site/t/original/i/6485a7087b6ff585bebdaeb08bd2ab1b38fea2ffd621cec10bd3a67350e48b9e/2_02.png" data-mid="85030485" border="0"  src="https://freight.cargo.site/w/1000/i/6485a7087b6ff585bebdaeb08bd2ab1b38fea2ffd621cec10bd3a67350e48b9e/2_02.png" /&#62;
&#60;img width="2000" height="263" width_o="2000" height_o="263" data-src="https://freight.cargo.site/t/original/i/92db617b1747c570acbd57d75fc6b600d0a00aea79869b0f7be6e523b6ffad44/debutArtboard-1_02.png" data-mid="85027163" border="0"  src="https://freight.cargo.site/w/1000/i/92db617b1747c570acbd57d75fc6b600d0a00aea79869b0f7be6e523b6ffad44/debutArtboard-1_02.png" /&#62;
&#60;img width="2000" height="493" width_o="2000" height_o="493" data-src="https://freight.cargo.site/t/original/i/cd1df18b84591990bf5880a2b3e1ccdd32043f7a5a2c6f08257931e2beb20a12/debutArtboard-1_03.png" data-mid="85027164" border="0"  src="https://freight.cargo.site/w/1000/i/cd1df18b84591990bf5880a2b3e1ccdd32043f7a5a2c6f08257931e2beb20a12/debutArtboard-1_03.png" /&#62;
&#60;img width="2000" height="209" width_o="2000" height_o="209" data-src="https://freight.cargo.site/t/original/i/7c720aed3f3bf13fab8a8f884970ba8cd00dc583dad940ddc67435d33bfd78ba/debutArtboard-1_04.png" data-mid="85027165" border="0"  src="https://freight.cargo.site/w/1000/i/7c720aed3f3bf13fab8a8f884970ba8cd00dc583dad940ddc67435d33bfd78ba/debutArtboard-1_04.png" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cd2bd73f2536d4d96ed805c8903ade83dd4af8e71c7a0d950333569896b4f287/businesscard.jpg" data-mid="85029625" border="0"  src="https://freight.cargo.site/w/1000/i/cd2bd73f2536d4d96ed805c8903ade83dd4af8e71c7a0d950333569896b4f287/businesscard.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/390ebab95d90ebc1b9fab693474d4fdd6db0bf9b34b5d8ce2741126d78ff97a3/poster-mockup1.jpg" data-mid="85037198" border="0"  src="https://freight.cargo.site/w/1000/i/390ebab95d90ebc1b9fab693474d4fdd6db0bf9b34b5d8ce2741126d78ff97a3/poster-mockup1.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/0546361c0355edb04055c362987cf9321f6aa578044a413f3ef6ca90cf7e0152/poster-mockup2.jpg" data-mid="85027231" border="0"  src="https://freight.cargo.site/w/1000/i/0546361c0355edb04055c362987cf9321f6aa578044a413f3ef6ca90cf7e0152/poster-mockup2.jpg" /&#62;&#60;img width="3000" height="1500" width_o="3000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/883c6cd3561c17e61fe9e1fcd09d8d8afddbfd32258cee43c7c636b3b0538c7a/Comp-3_1.gif" data-mid="85029023" border="0"  src="https://freight.cargo.site/w/1000/i/883c6cd3561c17e61fe9e1fcd09d8d8afddbfd32258cee43c7c636b3b0538c7a/Comp-3_1.gif" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/70e1307d4c274d4871a72b1d0782698627d54a45caf139d750e0b97d4e04f99e/main.jpg" data-mid="85029306" border="0"  src="https://freight.cargo.site/w/1000/i/70e1307d4c274d4871a72b1d0782698627d54a45caf139d750e0b97d4e04f99e/main.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/37af3b54c92ce73cf284786b389ecb1621128933b0542274d46ea17aee4134c9/sign-0.jpg" data-mid="85027311" border="0"  src="https://freight.cargo.site/w/1000/i/37af3b54c92ce73cf284786b389ecb1621128933b0542274d46ea17aee4134c9/sign-0.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f68c0c75f1acca1e6f205a648c2b9d21126a3eae14c55ffec639ffe9e3b48eff/sign-2.jpg" data-mid="85027313" border="0"  src="https://freight.cargo.site/w/1000/i/f68c0c75f1acca1e6f205a648c2b9d21126a3eae14c55ffec639ffe9e3b48eff/sign-2.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/730b95b9bda8413430efcf49fc7b72570be3dc41b9ae1d6272081c555915190c/sign-6.jpg" data-mid="85029367" border="0"  src="https://freight.cargo.site/w/1000/i/730b95b9bda8413430efcf49fc7b72570be3dc41b9ae1d6272081c555915190c/sign-6.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fb464e5536bcaae596aaeb70154a9a3653392ac915c0242f25ff500740413560/sign-5.jpg" data-mid="85030990" border="0"  src="https://freight.cargo.site/w/1000/i/fb464e5536bcaae596aaeb70154a9a3653392ac915c0242f25ff500740413560/sign-5.jpg" /&#62;

* This project was proceeded in the agency ‘Sam Seoul’ as a graphic designer, 
with Gibaek Ryu (lead), Dongmi Ha and Haesu Oh (motion graphic, photograph)

Research, design _ 2019</description>
		
	</item>
		
		
	<item>
		<title>Picking The Clouds</title>
				
		<link>https://trishakim.com/Picking-The-Clouds</link>

		<pubDate>Sun, 11 Apr 2021 04:51:30 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

		<guid isPermaLink="true">https://trishakim.com/Picking-The-Clouds</guid>

		<description>Picking The Clouds&#38;nbsp;
TDC Tokyo Book Design Nominee 2022


This is an graphic experiment collected in a book called ‘picking the clouds’.
I’ve been trying to place different communication system at the same place without disturbing each other but inclusive and interactive.


More than two different communication languages are considered to place carefully not to interfere to each other as those two are independent. However, when it comes to Morse Code, which is a graphic-shape look, we don’t expect to ‘read’ it like a language and it can easily engage with the text.


 The experiment starts from analyzing the space between letters to categorise it into the each Morse Code. However, after several experiments, I used Morse Code into graphic elements to ‘write’ letters are more effective.
This book shows 99 different ways of using graphic elements using Morse Code. Each chapter is ‘written’ in Morse Code, placed within body text with the same hierarchy. The text is taken from ‘Exercise in Style’ by Raymond Queneau. The book consists of three chapters depending on the level of modification of the exisiting Morse Code. It is also possible to check the rule and the titles on the index pages on the last pages.&#38;nbsp;
128*182mm, 136 pages, glossy paper 100g, 300g.


&#60;img width="1200" height="900" width_o="1200" height_o="900" data-src="https://freight.cargo.site/t/original/i/2543f68ef3e4290bbcd937a636ab5916b4c75615118e54dd42aa9a78c8e34db7/cover.png" data-mid="104875389" border="0"  src="https://freight.cargo.site/w/1000/i/2543f68ef3e4290bbcd937a636ab5916b4c75615118e54dd42aa9a78c8e34db7/cover.png" /&#62;&#60;img width="1920" height="3133" width_o="1920" height_o="3133" data-src="https://freight.cargo.site/t/original/i/a00d55e0f972fba650a45a5147a69e281f3f5f71b7d4315127c7e1523657308d/3_01.png" data-mid="104875820" border="0"  src="https://freight.cargo.site/w/1000/i/a00d55e0f972fba650a45a5147a69e281f3f5f71b7d4315127c7e1523657308d/3_01.png" /&#62;&#60;img width="1920" height="3914" width_o="1920" height_o="3914" data-src="https://freight.cargo.site/t/original/i/693d6cf21d0ff1dad3d3feb8452dca0a0c485d1114fc84cf7b1a19f9b34c20b7/3_02.png" data-mid="104875821" border="0"  src="https://freight.cargo.site/w/1000/i/693d6cf21d0ff1dad3d3feb8452dca0a0c485d1114fc84cf7b1a19f9b34c20b7/3_02.png" /&#62;&#60;img width="1920" height="5105" width_o="1920" height_o="5105" data-src="https://freight.cargo.site/t/original/i/a539a10a2fb58dc4bb62f48862d7453148b297b20ef234d82c70733404099844/3_03.png" data-mid="104875822" border="0"  src="https://freight.cargo.site/w/1000/i/a539a10a2fb58dc4bb62f48862d7453148b297b20ef234d82c70733404099844/3_03.png" /&#62;&#60;img width="1920" height="6017" width_o="1920" height_o="6017" data-src="https://freight.cargo.site/t/original/i/820e27046152698ae5a5e4fdb72561508beffbd92595085b8018dc606325f32f/3_04.png" data-mid="104875823" border="0"  src="https://freight.cargo.site/w/1000/i/820e27046152698ae5a5e4fdb72561508beffbd92595085b8018dc606325f32f/3_04.png" /&#62;


Research, design _ 2020-2021</description>
		
	</item>
		
		
	<item>
		<title>Beauty Papers Issue 11 Trip</title>
				
		<link>https://trishakim.com/Beauty-Papers-Issue-11-Trip</link>

		<pubDate>Thu, 04 Jan 2024 15:39:04 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

		<guid isPermaLink="true">https://trishakim.com/Beauty-Papers-Issue-11-Trip</guid>

		<description>Art Direction for Beauty Papers Issue 11 Trip


Alice started to her feet, for it flashed across her mind that she had never before seen a rabbit with a either a waistcoat-pocket, or a watch to take out of it, and burning with curiosity, she ran across the field after it, and fortunately was just in time to see it pop down a large rabbit-hole…Creative Direction Valerie WickesEditor in chief Maxine LeonardArt Direction Trisha KimVideo Louisiane Trotobas, Zoe Stott

&#60;img width="800" height="1036" width_o="800" height_o="1036" data-src="https://freight.cargo.site/t/original/i/228de0ee300b0ee8aa1937e1979f6a0b8d0cbe145f3a0d647ff22cfd92b1eb9b/Andy-Warhol.jpg" data-mid="200739563" border="0"  src="https://freight.cargo.site/w/800/i/228de0ee300b0ee8aa1937e1979f6a0b8d0cbe145f3a0d647ff22cfd92b1eb9b/Andy-Warhol.jpg" /&#62;
&#60;img width="800" height="1036" width_o="800" height_o="1036" data-src="https://freight.cargo.site/t/original/i/348640cd6133c38f6ac4f857670250a5ef05471f31ebbaff611f3f785543091c/D-G.jpg" data-mid="200739569" border="0"  src="https://freight.cargo.site/w/800/i/348640cd6133c38f6ac4f857670250a5ef05471f31ebbaff611f3f785543091c/D-G.jpg" /&#62;
&#60;img width="800" height="1036" width_o="800" height_o="1036" data-src="https://freight.cargo.site/t/original/i/d560bd5d39c4322364950bd982461b74ede207c3d51aefbb2ab429074f7a8039/Bottega.jpg" data-mid="200739567" border="0"  src="https://freight.cargo.site/w/800/i/d560bd5d39c4322364950bd982461b74ede207c3d51aefbb2ab429074f7a8039/Bottega.jpg" /&#62;
&#60;img width="800" height="1036" width_o="800" height_o="1036" data-src="https://freight.cargo.site/t/original/i/ec07a24a97d63782c80bcd73eedc728d7e76c3e2dbf7cd19395af27bdd637e6b/Drew-Vickers.jpg" data-mid="200739571" border="0"  src="https://freight.cargo.site/w/800/i/ec07a24a97d63782c80bcd73eedc728d7e76c3e2dbf7cd19395af27bdd637e6b/Drew-Vickers.jpg" /&#62;
&#60;img width="800" height="1036" width_o="800" height_o="1036" data-src="https://freight.cargo.site/t/original/i/5cc7a5ff87e15e54c9f4ec9acf3945e27098b6032ce6be41b81db8cbeaebbc26/DVN.jpg" data-mid="200739573" border="0"  src="https://freight.cargo.site/w/800/i/5cc7a5ff87e15e54c9f4ec9acf3945e27098b6032ce6be41b81db8cbeaebbc26/DVN.jpg" /&#62;
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&#60;img width="1299" height="1683" width_o="1299" height_o="1683" data-src="https://freight.cargo.site/t/original/i/7966e3d4b0683a4b31702a969ca53accf8f93a89d7a44483c30891a2a9784953/Tom-Johnson.jpg" data-mid="200739588" border="0"  src="https://freight.cargo.site/w/1000/i/7966e3d4b0683a4b31702a969ca53accf8f93a89d7a44483c30891a2a9784953/Tom-Johnson.jpg" /&#62;
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528 pages, sixteen covers, 220x285mm


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		<title>Beauty Papers X Harley Weir</title>
				
		<link>https://trishakim.com/Beauty-Papers-X-Harley-Weir</link>

		<pubDate>Sat, 18 Feb 2023 14:19:45 +0000</pubDate>

		<dc:creator>Trisha Kim</dc:creator>

		<guid isPermaLink="true">https://trishakim.com/Beauty-Papers-X-Harley-Weir</guid>

		<description>Art Direction for Code Red Beauty Papers X Harley Weir
Code Red Beauty Papers X Harley Weir words by Charlott Cotton&#38;nbsp;
Harley Weir explores the subversion of beauty, sexuality and fantasy in an attempt to unravel the complexities of desire. The omnipresent culture of display creates its own form of conformity that impacts all of us. Resistance has its own risks and pleasure; this is captured in Harley’s fearless lens. Respected writer &#38;amp; curator Charlotte Cotton frames the cultural narrative through an insightful series of conversations with a divine corpse of collaborators bringing new perspectives to the notions of display and desire to be desired.

Editor-in-Chief Maxine Leonard
Creative Direction Valerie Wickes
Art Direction_Trisha Kim&#38;nbsp;
Sub-Editor_Sam Thackray

&#60;img width="2599" height="1684" width_o="2599" height_o="1684" data-src="https://freight.cargo.site/t/original/i/411ef5fa8796ad43c842dce1bc0476f85759f7106feb4a70c4e917bbbd325aef/Artboard-5150x-100.jpg" data-mid="200738094" border="0"  src="https://freight.cargo.site/w/1000/i/411ef5fa8796ad43c842dce1bc0476f85759f7106feb4a70c4e917bbbd325aef/Artboard-5150x-100.jpg" /&#62;

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&#60;img width="2600" height="1684" width_o="2600" height_o="1684" data-src="https://freight.cargo.site/t/original/i/3813041e8557a89ef8d5acadf33f2fffe8c32f9af8fdb80840066245b6a346db/Artboard-43150x-100.jpg" data-mid="200738112" border="0"  src="https://freight.cargo.site/w/1000/i/3813041e8557a89ef8d5acadf33f2fffe8c32f9af8fdb80840066245b6a346db/Artboard-43150x-100.jpg" /&#62;
&#60;img width="2599" height="1684" width_o="2599" height_o="1684" data-src="https://freight.cargo.site/t/original/i/725558cec49d43dce469df7f204a86e777513d01eda7fbd52b74078791d554c4/Artboard-47150x-100.jpg" data-mid="200738615" border="0"  src="https://freight.cargo.site/w/1000/i/725558cec49d43dce469df7f204a86e777513d01eda7fbd52b74078791d554c4/Artboard-47150x-100.jpg" /&#62;


Part 1
Make-up Ana Takahashi
Hair Shiori Takahashi
Styling Georgia PendleburyNails Sylvie Macmillian

Set Alice Kirkpatrick


&#60;img width="2600" height="1684" width_o="2600" height_o="1684" data-src="https://freight.cargo.site/t/original/i/e46cd60c53ee55d59aebe6840e8a6ab8f80e7e30055f7324408d549b69233cab/Artboard-67150x-100.jpg" data-mid="200738126" border="0"  src="https://freight.cargo.site/w/1000/i/e46cd60c53ee55d59aebe6840e8a6ab8f80e7e30055f7324408d549b69233cab/Artboard-67150x-100.jpg" /&#62;
Part 3

&#60;img width="2600" height="1685" width_o="2600" height_o="1685" data-src="https://freight.cargo.site/t/original/i/4705f01ff5cba7344700bf000122d10852c21cb3862518c15fb6f5c0ab0fc1cd/Artboard-68150x-100.jpg" data-mid="200738129" border="0"  src="https://freight.cargo.site/w/1000/i/4705f01ff5cba7344700bf000122d10852c21cb3862518c15fb6f5c0ab0fc1cd/Artboard-68150x-100.jpg" /&#62;
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&#60;img width="2599" height="1684" width_o="2599" height_o="1684" data-src="https://freight.cargo.site/t/original/i/d43939a9872b0dadf21d7bb99066a4a0757a07ed6c6381d5e379819f18fa93f4/Artboard-87150x-100.jpg" data-mid="200738387" border="0"  src="https://freight.cargo.site/w/1000/i/d43939a9872b0dadf21d7bb99066a4a0757a07ed6c6381d5e379819f18fa93f4/Artboard-87150x-100.jpg" /&#62;

Make-up Ana TakahashiHair Franziska PrescheStyling Vanessa Reid&#38;nbsp;
Nails Lauren Michelle Pires
Set Phoebe Shakespeare


&#60;img width="2600" height="1684" width_o="2600" height_o="1684" data-src="https://freight.cargo.site/t/original/i/acaea04ab8fa1443f9d55ea2dd721d4d31de95d39687771ecb9d741659fbfd28/Artboard-91150x-100.jpg" data-mid="200738401" border="0"  src="https://freight.cargo.site/w/1000/i/acaea04ab8fa1443f9d55ea2dd721d4d31de95d39687771ecb9d741659fbfd28/Artboard-91150x-100.jpg" /&#62;
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